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Art

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

In addition to the much loved furniture mecca dedece, Liverpool Street, East Sydney offers another incentive to tread its footpath this month with the opening of the Peter Sharp exhibition ‘Sticks and Stones’.

Sharp not only provides a potent response to our landscape but also a window into his artistic process and how seemingly abstract works have their genesis in the material world. He exchanges the need to capture an expansive scene for a more intimate connection with the land. This relationship comes in part from an indigenous understanding of land and country. Nature is part of us and we are part of nature.
The desert landscape of Fowler’s Gap has been the most recent source of inspiration. Sharp has been visiting this region, north of Broken Hill, for over 25years taking his students to the University of NSW Research Station. However it was only when he started collecting objects found there and constructing small ‘still life’ sculptures that he worked on a way to adequately interpret this beautiful and yet sometimes unforgiving desert environment.

These constructions of sticks, rocks and twigs bound together with twine become the basis firstly of drawings and finally the larger paintings and sculpture that you will see in this exhibition. The shapes created by the forms; the silhouettes and shadows, are built up in charcoal and partially rubbed away until Sharp is left with a composition that speaks of the place in which the objects originated.
Back in his studio in the Shire, south of Sydney, Sharp relays this information to the paintings where he layers a highly textured white paint with translucent glazes that both sit on the surface and disappear into the linen canvas. He sands the surface to give a sense of the rough and weathered landscape he remembers. There is a true elegance in the compositions and linear qualities that underpin these works. They speak of the landscape and yet with a strong abstract sensibility they allow an open interpretation.

The process comes full circle with the large-scale sculptures, Sharp plays again with found objects and brings them together with handsawn and painted wood to create the whimsy he was drawn to in the smaller assemblages made at Fowler’s Gap. The result is an exhibition that allows the visitor true access to his artistic process and in that his unique relationship with the natural world.

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Peter Sharp, Fowlers Gap, art, painting, sculpture, desert, Liverpool Street Gallery

Words by: Katrina Arent
Exhibition: Peter Sharp ‘Sticks and Stones’ runs 4 – 30 May 2013 at the Liverpool Street Gallery, open Tuesday – Saturday, 10am – 6pm.

Liverpool Street Gallery
243 Liverpool St East Sydney.
(02) 8353 7799


Photography by Michel Brouet
Images courtesy the artist and Liverpool Street Gallery, Sydney

Peter Sharp (out/about)

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

Rachel Castle is a long-time friend of Arent&Pyke. Anyone familiar with our projects would likely have spied a Rachel Castle original or two in the mix. For the unfamiliar, Rachel is an artist, well known for her whimsical (and quite often cheeky) hand stitched felt work, colourful hand printed screen prints and covetable paintings. And then there is all that gorgeous bed linen, cushions and beach towels. And we should also note her fun collaboration with fashion label Gorman that put a lot of love in the coconut and cha-cha-ing about town. Rachel is not just clever, she is also bloody funny – so we needed no excuse to visit her in her sunny studio to have a chat to her in her favourite chair.

We love the tale of her favourite chair too – her answer was immediate! Rachel selected the Model 3107 chair by Arne Jacobsen – a pink 3107 no less. Gifted to her by her husband on their first anniversary – a gesture just so terribly romantic. This chair, first designed in 1955 is fashioned out cleverly bent plywood, and now produced exclusively by Danish furniture design company Fritz Hansen.

We really love producing the IN/OUT design blog – but we especially enjoy our Chat in a Chair feature. It is an exciting undertaking to find out the story behind people’s favourite chairs. There is always a story. It is such a privilege to uncap an area of passion in these inspirational individuals lives, and share something about them we might not otherwise know. People universally love chairs – this we well discovered through our Chat in a Chair Insta-challenge promotion last year, and we love being able to uncover these little gems for you.

WHAT A WINNER! Because Rachel is such a generous cookie, she has very kindly gifted us a gorgeous Sunny tote bag (RRP $120) to give away to celebrate today’s glorious Chat in a Chair. All we ask is for you to put your thinking caps on and comment below telling us who you would like to have a ‘Chat in a Chair’ with (living or dead) to win! We also ask that you share the love and subscribe to the blog (if you haven’t already!). So, get creative! You have a week to comment and the winner will be announced on the blog, on Instagram and Facebook on Wednesday 1st May.

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

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chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

chat in a chair, rachel castle, castle & things, neon, screen print, embroidery, Sydney, artist, Arent&Pyke, Fritz Hansen, Arne Jacobsen

Credits: Photography by Ben Pyke Photography

RACHEL CASTLE: CHAT IN A CHAIR

Art, Sophie Gannon, color

Art, Sophie Gannon, color

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We la-la-love Kirra Jamison. We do. It is like Kirra is able to paint how we feel about colour. Her work is beguiling: each work demands much looking and wondering and head-tilting.

Kirra’s painterly way is unique and always has a positive, upbeat allure. The ways she mixes palettes make her trademark block-colour shapes and serpent-like loops appear to dance around on the canvas all on their own. Both colour-brave and colour-aware, Kirra has a magical way of making hues feel like they should always be together.

Her latest collection ‘Still Point’ is brave and confident, and will not disappoint her legions of devoted fans. Following close on the heels of last year’s hugely popular ‘Locomotor’, it seems safe to say that Kirra has no shortage of inspiration.

Still Point runs until 20 April at Sophie Gannon Gallery Melbourne, open Tuesday to Saturday 11am to 5pm (or by appointment).

Sophie Gannon Gallery
2 Albert Street, Richmond
Victoria 3121
(03) 9421 0857

Credits: Images courtesy of Kirra Jamison

Kirra Jamison (Out/About)

Timber, sculpture, art, color, design

Timber, sculpture, art, color, design

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Drew Tyndell

Drew Tyndell is a creative who blurs art and architecture. The son of an architect, it is clear that his sphere of influence started close to home. Spending much time on construction sites as a child collecting and playing with wood scraps, he is now essentially doing the same thing – but with a great amount of skill and acclaim.

Put simply, Tyndell creates works out of painted wood blocks. His most recent work ‘Repair’ is a study of homes and buildings under construction. His previous work were small studies of cabins, shacks, duplexes and beach houses.

There is something so appealing about his work – there is a satisfying sense of resolution, of a solved puzzle. And then there is his particularly striking colour palette of soft pinks, inky blues, dusty greys, mustard yellows, vivid watermelon and natural timber.

Beautiful, and completely collectable.

Credits: Drew Tyndell

Drew Tyndell

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

art, morning tea, garden, Iain Dawson, Arent&Pyke, Sarah-Jane Pyke, Juliette Arent, Michelle Paterson, art, interiors, Belle Magazine,

Recently Arent&Pyke’s Juliette Arent and Sarah-Jane Pyke were invited to speak at a morning tea hosted by Michelle Paterson of Lots of M in her beautiful garden on a fine and sunny Sydney autumn morning. Alongside Tim Etchells (previously of ARTHK Hong Kong International Art Fair) , and now the upcoming Sydney Contemporary Art Fair, Damien Woolnough, Fashion Editor of The Australian and Belle Magazine’s Managing Editor, Tanya Buchanan, the topic of “how art relates and is increasingly relevant in our super charged and fast paced world” was up for discussion.

Passionate about establishing a dialogue with contemporary art Lots of M believes that “living with well crafted, conceptually challenging and above all beautiful works adds to the quality of life on both an emotional and intellectual level”. Juliette and Sarah-Jane also shared their thoughts on art – how artwork is not an accessory you buy to match a new rug, or produced-to-order. Art should resonate on impact, make your heart race and experience a moment of love at first sight – whether it matches your scheme or not! The beauty of art is more than an accessory – it should make you feel something over and over again.

Michelle Paterson is an avid art collector and global nomad who now calls Sydney home. Iain Dawson is a gallerist of known repute, having worked for some of the most high profile and successful commercial galleries in Sydney, later going on to become director of three major national art fairs. In 2012 they formed an alliance in the name of a joint passion: to celebrate the talent of emerging artists – particularly those within the first 5 years of their practice.

Dawson too has long been an advocate for emerging artists since 2008, with a proven track record of spotting young artists on the ascent. These breakthrough artists in fact form the sole basis of all exhibitions in his boutique, micro gallery IDG and ID Projects.

Paterson is a strong believer in breaking down barriers and experimenting with new models in the commercial art world. Together with Dawson, they have deliberately chosen to present temporary ‘pop up’ exhibitions and offsite projects in keeping with the freshness and vitality of the young artists they champion. During each exhibition an extensive public program will be held including forums with industry professionals, film nights, wine tastings and collecting symposiums – of which ‘How Art Inspires’ was but one.

Art can be a rarified affair – but what this alliance does is make art accessible to everyone. While the gallery scene may not intimidate all, it can thwart the creative juices for some who might feel it is not rightfully theirs to participate in.

Now, in the pop-up format that has become so popular and in the ever evolving landscape of the current millennium – sculpture, photography, contemporary painting and cutting edge video pieces are all displayed with an almost carnival-esque flavour in the name of engaging first time and seasoned collectors alike.

Credits: Images courtesy of Jac & Heath Bennett Photography

How art inspires… a morning tea

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney, Wynne

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

art, Guy Maestri, Balls Pyramid, Tim Olsen Gallery, painting, Blue Mountains, art exhibition, Sydney

Long time Arent&Pyke favourite Guy Maestri has had an exciting week. Together with the opening of his new exhibition ‘Heavy Ground’ at Olsen Irwin he has just found out that he is a finalist in this year’s Wynne Prize for landscape painting at the Art Gallery of NSW. Guy is not unfamiliar with the thrill of being shortlisted for this celebrated prize, he was also hung last year, and won the Archibald Prize in 2009 for his portrait of Indigenous performer Geoffrey Gurrumul Yunupingu.

Guy’s recent travels are adeptly documented in ‘Heavy Ground’ with paintings of the Southern Highlands, Hill End, the Blue Mountains and Lord Howe Island, each terrain producing a subtly different result. It is his studies of Ball’s Pyramid, off the coast of Lord Howe Island, that are particularly compelling in this collection. Guy tells of being immediately captivated by this massive rock that rises 600 feet from the surface of the Pacific Ocean. Due to its geographical remoteness he wasn’t able to record his impressions at the site so he returned to the studio and made a perfect sculptural rendition in plaster from which to paint from. The result is a series of works (the Wynne Prize piece included) where Guy has documented, in the tradition of the Impressionists, the way changes in light and colour can completely alter the perception of a scene.

His characteristic gestures, with thick paint applied straight from the tube and swiftly worked with the brush and palette knife are all at play here. The beautiful ‘Studies for Falling Water’ with their limited palette and highly worked surfaces are reminiscent of Guy’s abstract roots while other paintings of Dangar and Belmore Falls adopt a more literal language and celebrate the raw beauty and majesty of the landscape.

Words by: Katrina Arent van Stom

Heavy Ground @ Olsen Irwin until Saturday 30 March.

Wynne Prize @ AGNSW 23 March – 2 June.

Credits:
1. Guy Maestri, ‘Ball’s Pyramid no.11′ (2013) at Olsen Irwin.
2. Guy Maestri, ‘Ball’s Pyramid no.8′ (2013) at Olsen Irwin.
3. Guy Maestri, ‘Ball’s Pyramid no.4′ (2013) at Olsen Irwin.
4. Guy Maestri, ‘Ball’s Pyramid no.7′ (2013) at Olsen Irwin.
5. Guy Maestri, ‘Ball’s Pyramid no.10′ (2013) at Olsen Irwin.
6. Guy Maestri, ‘Ball’s Pyramid no.5′ (2013) at Olsen Irwin.
7. Guy Maestri, ‘Ball’s Pyramid no.7′ (2013) at Olsen Irwin.
8. Guy Maestri, ‘Model of Ball’s Pyramid’ (2013)
9. Guy Maestri, ‘Last light over Balls Pyramid’ (2013) at Olsen Irwin.
10. Guy Maestri, ‘Last light over Belmore Falls’ (2013) at Olsen Irwin.
11. Guy Maestri, ‘Govett’s Leap no.2′ (2013) at Olsen Irwin.
12. Guy Maestri, ‘Govett’s Leap’ (2013) at Olsen Irwin.
13. Guy Maestri, ‘Dangar Falls’ (2013) at Olsen Irwin.
14. Guy Maestri, ‘Belmore Falls’ (2013) at Olsen Irwin.
15. Guy Maestri, ‘Fitzroy Falls: after the Bacon exhibition’ (2013) at Olsen Irwin.
16. Guy Maestri, ‘Study for Belmore Falls’ (2013) at Olsen Irwin.
17. Guy Maestri, ‘Study for falling water no.6′ (2013) at Olsen Irwin.
Photography by Mim Stirling mim.stirling@gmail.com.

Guy Maestri (OUT/ABOUT)

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An illustrated weekly atlas titled Windows of New York has caught our eye with a playful expression of colour that is an ode to both the diverse architecture and never ending buzz of a city we covet.

Jose Guizar is a young Mexican graphic designer based in New York City and this project has become, in his words, “an obsession that has increasingly grown in me since chance put me in this town” – and one that also has him “staring creepily at windows”, apparently!

Driven by curiosity and a constant desire to learn and evolve –Guizar is a devoted pursuer of the well-rounded designer utopia, striving to create playful, clever, yet strong messages that let others communicate. His career portfolio of works include the branding and identity for some well known brands, and some unknown – but all sharing his sharp, edgy aesthetic.

Referring to himself as an entertainer, which he quite rightly is, we like him for his spunky attitude, his fresh approach, his seeing beauty in something that so often goes un-noticed – and a great eye for colour and detail.

Credits: Images courtesy of Windows of New York

Windows of New York

Shilo Textiles

Prints, Colour, Textiles, Soft furnishing, Decoration, Design, Art

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Textile designer and artist Shilo Engelbrecht is a South African-born Australian, living in the UK. Having spent her summer doing paintings in a tiny greenhouse in Cambridge, she has now had her works digitally printed onto textiles – thus launching her first textile collection and online store.

Describing her paintings as “an exercise in spontaneity”, energised with a painterly approach and an emphasis on brush strokes they tell a story about her time in the UK thus far living in Cambridge & Glasgow.

While these fabrics have been used in a range of practical interior products such as silk scarves, napkins, placemats, tablecloths, and cushions her hope is to “challenge the perceived dullness and formality of some interior design” with their vibrance, colour and texture.

Graduating with a Fine Arts Degree in Fashion/Textiles, Shilo was awarded the Mercedes Benz Start Up prize for her graduate collection and the Emerging Designer of the Year by the Design Institute of Australia.

There is no question that her paintings are beautiful works of art – with their pleasing summery palettes and fluid movements. The lovely thing about her application of this beauty to more mundane items is that they can be more widely enjoyed!

Credits: Images from Shilo

Shilo ALV Textiles

Laura Jones - Chat in a Chair

We might be biased, and we might just have snapped up a couple of her paintings already – but it would be fraudulent of us not to rave about Laura Jones just a little. To celebrate the opening of her exhibition ‘With Flowers’ at the Maunsell Wickes Gallery in Paddington (1 – 14th March 2013), we had to have Laura in for a bit of Chat in a Chair time.

Laura is the whole package – her paintings have that quality that makes your eyes not know where to rest. Her relationship with colour is enviable and her palettes magical. Laura knows a things or two about flowers – and this shows not only in the way that she paints them, but also in the way that she selects her subjects. Her studio space is almost as beautiful as her art – and as a person, they don’t come any nicer. The best part of our Chat in a Chair series is getting up close and personal with the talented subjects that we feature, and seeing them in their own creative spaces. Our photographer would have shot every square inch of this space, had she been given the chance! It was that good.

While the focus of Laura’s ‘With Flowers’ exhibition is obviously floral, she also has a weighty back catalogue of beautiful portraits and still life. Flowers were chosen, says Laura, as she was inspired by the beauty and the colour of the flowers and wanted to bring that to her viewers through her work. She has inspired us all.

What you might not know is that Laura also designed some fabrics for Edit. Her chair today is covered in one of her favourite fabrics, also from Edit! As a thank you from Edit, they gifted her a dress made from the same fabric – in case you were wondering.

Laura Jones - Chat in a Chair

Art, flowers, oil on canvas, Maunsell Wickes Gallery, With Flowers

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Credits: All images by Luisa Brimble

LAURA JONES: CHAT IN A CHAIR

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Art, MCA

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Sydney, Merivale Group, The Ivy, Cantonese, Dim Sum

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The concept of ‘dinner and a show’ has been around since the dawn of dating. May we propose this fun coupling?

First, take a big long stroll through the Museum of Contemporary Art (MCA) to see the first major exhibition in Australia by celebrated artist Anish Kapoor, as part of the Sydney International Art Series.

Kapoor has created some of the world’s most ambitious and recognisable contemporary artworks. Influenced by both his Indian heritage and western philosophy, in particular metaphysics, Kapoor’s artworks seek to understand ‘what it is to be human’. This has led to Kapoor’s tireless experimentation with the contrasting forces of light and dark, colour, form, size and medium to challenge perception, developing immersive and sometimes unsettling experiences.

In this MCA selection of key works across two floors of the Museum, you can encounter Kapoor’s powerful artworks up close and personal. Highlights include 1000 Names (1979-80), his early powdered pigment geometric sculptures; Void (1989), a large deep blue sculpture that changes from a convex to a concave form depending on your position; one of the artist’s most ambitious works, the 24-ton Memory (2008) which completely fills one of the MCA’s spacious galleries as if squeezed between the white walls; and the monumental My Red Homeland (2003), which replicates the role of the artist. In this enormous circular sculpture, a large motorised steel blade slowly cuts a course through 25 tons of red wax, endlessly dissecting and re-shaping it into new forms.

By now, you’ll be starving. A meal at Mr Wong is a must-do for any self-respecting Sydney-sider or temporary tourist. Nestled in an unassuming laneway behind The Ivy complex, you will soon forget that you are in the heart of Sydney’s business district. Without a lazy-Susan, silk peacock motif or vinyl chair in sight – Mr Wong is a Chinese restaurant with a big difference. Beautifully curated with authentic Chinese colonial furniture, vintage blue and white china, bountiful floral installations of camellias, vintage art, exposed brick and a knockout weathered mural of a coy Chinese femme – it is all about the faded glamour of 1930s Shanghai. It’s a feast for both the eyes and the mouth. The Cantonese-style menu features over 60 dishes a-la Carte style, as well as a dim-style style option – all with a contemporary twist.

Mr Wong can be found at 3 Bridge Lane
 Sydney.

Credits: Images of Anish Kapoor from here and Mr Wong from here.

ANISH KAPOOR & MR WONG (OUT/ABOUT)

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